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Tony and Susan
Tony and Susan
Fifteen years ago, Susan Morrow left her first husband Edward Sheffield, an unpublished writer. Now, she's enduring middle class suburbia as a doctor's wife, when out of the blue she receives a package containing the manuscript of her ex-husband's first novel. He writes asking her to read the book; she was always his best critic, he says.
As Susan reads, she is drawn into the fictional life of Tony Hastings, a math professor driving his family to their summer house in Maine. And as we read with her, we too become lost in Sheffield's thriller. As the Hastings' ordinary, civilized lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life.
As Susan reads, she is drawn into the fictional life of Tony Hastings, a math professor driving his family to their summer house in Maine. And as we read with her, we too become lost in Sheffield's thriller. As the Hastings' ordinary, civilized lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life.
Fifteen years ago, Susan Morrow left her first husband Edward Sheffield, an unpublished writer. Now, she's enduring middle class suburbia as a doctor's wife, when out of the blue she receives a package containing the manuscript of her ex-husband's first novel. He writes asking her to read the book; she was always his best critic, he says.
As Susan reads, she is drawn into the fictional life of Tony Hastings, a math professor driving his family to their summer house in Maine. And as we read with her, we too become lost in Sheffield's thriller. As the Hastings' ordinary, civilized lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life.
As Susan reads, she is drawn into the fictional life of Tony Hastings, a math professor driving his family to their summer house in Maine. And as we read with her, we too become lost in Sheffield's thriller. As the Hastings' ordinary, civilized lives are disastrously, violently sent off course, Susan is plunged back into the past, forced to confront the darkness that inhabits her, and driven to name the fear that gnaws at her future and will change her life.
Reviews-
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January 4, 1993
In this intriguing accomplished novel, the author of Camden's Eyes and several works of literary criticism combines a stark take on a film noir theme with a postmodern meditation on the act of reading. Susan Morrow is surprised to hear from her former husband Edward, who has written a novel entitled Nocturnal Animals , which he asks her to read. The main character in the novel is Tony Hastings, who, in a late-night drive with his family from Ohio en route to Maine takes a detour down a dark road into death, confused grief and vengeance. As Susan becomes involved in Tony's journey, she relives her past life with Edward and reviews her present one with her current husband, Arnold--both men she could never ``read'' the way she reads Tony. She finds herself asking two questions: how will Tony survive his trip's terrible events, and what sort of a man has Edward become? And because Edward is ``real'' and Tony is fictional, only her speculations about Tony will be answered to her satisfaction. Written in contrasting styles--Tony's account in sharp prose that ricochets in unexpected directions, Susan's musings in fluid passages of emotional and sensory perceptions--the novel's two stories mesh into a credible, suspenseful narrative. Wright infuses this excellent work with resonating observations about the reality of violence, where the loss of humanity is the price of revenge, and the ``reality'' of fiction and its place and power in day-to-day life. BOMC and QPB alternates.
