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Thirty years ago two sisters disappeared from a shopping mall. Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who'or what'could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness?
Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been, why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead-end'a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household.
In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?
Thirty years ago two sisters disappeared from a shopping mall. Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who'or what'could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness?
Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been, why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead-end'a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household.
In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Due to publisher restrictions the library cannot purchase additional copies of this title, and we apologize if there is a long waiting list. Be sure to check for other copies, because there may be other editions available.
Laura Lippman was a Baltimore Sun reporter for twelve years. Her novels have been awarded every major prize in crime fiction. The first-ever recipient of the Mayor's Prize for Literary Excellence, she lives in Baltimore, Maryland.
Reviews-
In Baltimore a young woman flees an accident and when she's apprehended, she stonewalls police about herself except to reveal that she is one of the Bethany sisters, who disappeared thirty years before. The young woman has a flat affect, and Linda Emond characterizes her tonelessly as she makes one evasion after another about the present while claiming decades of abuse and the adopting of multiple personalities to survive. Linda Emond's voice is neutral in filling in the aftermath of the abduction. She saves emotion for her depiction of the suspicious detective who reopens the cold case. Emond's characterization of this feisty, sexually charged man is edged with rough and passionate tones. S.W. (c) AudioFile 2007, Portland, Maine
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In Baltimore a young woman flees an accident and when she's apprehended, she stonewalls police about herself except to reveal that she is one of the Bethany sisters, who disappeared thirty years before. The young woman has a flat affect, and Linda Emond characterizes her tonelessly as she makes one evasion after another about the present while claiming decades of abuse and the adopting of multiple personalities to survive. Linda Emond's voice is neutral in filling in the aftermath of the abduction. She saves emotion for her depiction of the suspicious detective who reopens the cold case. Emond's characterization of this feisty, sexually charged man is edged with rough and passionate tones. S.W. (c) AudioFile 2007, Portland, Maine
